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Aktualisiert: 01. Oktober 2007 / updated: 01 October 2007
The True Face of William Shakespeare.
The Poet's Death Mask and Likenesses from Three Periods of His Life (London: Chaucer Press, 2006).
d. Comments
'Praise for' The True Face of William Shakespeare
'A brilliant academic study which can also be thoroughly enjoyed by any layperon. … an outstanding achievement’
Dr Paul C Doherty
‘Her theory makes obvious sense of a long mystery’
A. N. Wilson, Evening Standard
‘Superimposing the models revealed perfect matches’
Rob Edwards, New Scientist
HHH 'succeeded in proving that the Davenant Bust depicts William Shakespeare’s authentic lifelike features'
GEO
'I was not only impressed but also convinced by the author’s arguments, in view of which not a few leading scholars were made to look mere amateurs'
Professor Peter Milward, The Renaissance Bulletin
HHH's 'elegantly produced volume will surely stand as the definitive work which solves many of the mysteries surrounding the few images of Shakespeare that we possess. ... the author shows that the so-called Chandos and Flower portraits are ... painted during the playwright's lifetime. This establishes that the 1623 Droeshout engraving ... was copied from the Flower portrait, not vice versa ... [She demonstrates] that [theDarmstadt death mask's] features exactly reproduce those of the other images of Shakespeare.
Professor Michael Patterson, Theatre Research International
‘Over the past decade, Hildegard Hammerschmidt-Hummel … has been a scholarly leader in discovering more about Shakespeare’
Douglas Galbi, U.S., FCC, Purple Motes
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